IT’S HERE…

CAP 2025 Weekend Workshop Dates are

LIVE!

E X P A N D 2025

E X P A N D 2025

Both our Spring and Summer 2025 weekend workshops will bring Southern California's top college dance program professors and directors straight to you in Orange County, giving you an exclusive look into what it means to be a college dance major. Each will host a different faculty, unique artistic preparation courses, and priceless networking opportunities. Our theme for 2025 is EXPAND and this is just what we intend to do. Let's expand our technique, our vision of our futures, our artistic voices, and most of all our idea what dance truly is! 

This unique and innovative program Collegiate Arts Prep has created and continues to host is a priceless opportunity to showcase yourself and your talent in an intimate, safe, and supportive environment while making career-changing connections.

Don't miss your chance to train and EXPAND into your future, NOW!

MAY Workshop
May
16
to May 18

MAY Workshop

MAY 16 - 18 Workshop


Jim Vincent - University Faculty

Jim Vincent is a freelance artist and creative consultant d.b.a. ONE-DER-BOX, LLC. He has more than 35 years of entertainment & cultural experience through his work in theater, music, dance, film, special events, theme parks & site-specific installations. 

For more than 25 years Jim held positions with prestigious. companies like Nederlands Dans Theater, The Royal Conservatory of the Hague (Holland), National Opera of Lyon (France) and Compañia Nacional de Danza (Spain).

In 2000 he returned to the US to become the Artistic Director of Hubbard Street Dance Chicago. During his tenure with HSDC, he collaborated with and commissioned works by Jiri Kylian, William Forsythe, Nacho Duato, Ohad Naharin, Christopher Bruce, Johan Inger, Jorma Elo, Trey McIntyre, Aszure Barton, Robert Battle, Toru Shimazaki, Andrea Miller, Marguerite Donlon, Susan Marshall, Daniel Ezralow, Lar Lubovitch, Doug Varone, and Lucas Crandall.

He was then invited back to Holland in 2009 and appointed Artistic Director of the Nederlands Dans Theater through 2012. During his tenure there, he commissioned new works by Jiri Kylian, Crystal Pite, Alexander Ekman, Aszure Barton, Marco Goecke, Alejandro Cerrudo, Ivan Perez, Amanda Miller, Johan Inger, Lightfoot/Leon and Medhi Walerski for both NDT I and NDT II. 

As a choreographer, Vincent created works for NDT I, NDT II, Hubbard Street Dance Chicago, Bern Ballett (Switzerland) and realized collaborative projects with the Chicago Symphony Orchestra, Los Angeles Philharmonic Orchestra / Hollywood Bowl, St Louis Symphony,

From 2012 to 2018 he was an Executive Creative Director with the Walt Disney Imagineering Creative Ent.

Since 2018 he has been engaged in teaching, adjudication, residencies, creations and restagings at Pittsburgh Ballet Theater, Point Park, University of AZ, UNC School of the Arts, LACHSA, CALARTS, USC Kaufman, New Century Dance Project, The Lawrenceville School, Dance Conservatory of Pasadena, Laguna Dance Festival, San Francisco Danceworks, SLO Movement Arts, International School of Los Angeles, DIAVOLO - Architecture in Motion, and Hubbard Street Dance Chicago. 

Vincent is a former member of the advisory boards of UNCSA and USC Kaufman School of Dance and an alumnus of the Lawrenceville School and the University of North Carolina School of the Arts.

Bruce McCormick - Faculty, USC Kaufman

Bruce McCormick is an educator, choreographer, performer and scholar. He earned his BFA from The Juilliard School under the direction of Benjamin Harkarvy and his MFA from the University of Washington, where he also worked as Assistant Professor of Dance. He joined the faculty at the University of Southern California Glorya Kaufman School of Dance in 2018 where he serves as Associate Professor of Practice.

Originally from New Jersey, he trained with the Vineland Regional Dance Company and the Rock School of Pennsylvania Ballet, spending summers at the School of American Ballet, Central Pennsylvania Youth Ballet, Boston Ballet and as a private student of Maestro Héctor Zaraspe in Argentina and Ecuador. He performed in 12 countries on four continents as a member of Les Grands Ballets Canadiens, the Bavarian State Ballet and the Bern Ballet, where he was a soloist and ballet master. He also served as Assistant Artistic Director of North Netherlands Dance and Guest Rehearsal Director with Ballet BC.

His most recent festival credits include Against the Grain/Men in Dance, Dance Deck, the Seattle International Dance Festival, the International Festival of Contemporary Dance of Mexico City and the ITS Festival in Amsterdam. He has presented for the National Dance Education Organization and CORPS de Ballet International, and his scholarship has been published by The International Journal of Arts Theory and History.

Fiona Lummis Eddy - Faculty, USC Kaufman

Fiona Lummis was a principal dancer for two decades with the Netherlands Dance Theatre, and was involved in over thirty creations by Jiri Kylian, Hans Van Manen, Nacho Duato, Ohad Naharin, Christopher Bruce and Mats Ek among other choreographers, as well as dancing featured roles in ballets by William Forsythe, Jerome Robbins, Lar Lubovitch and Glen Tetley and many more. Ms. Lummis is a graduate of the Elmhurst School of Dance in Birmingham, England and the Rambert School of Ballet and Contemporary Dance in London.

Fiona is now on faculty at LACHSA as well as ballet, repertoire, and admissions faculty at USC Kaufman School of Dance.

Julianne Pedersen - Dean and Chair, Chapman University Dance

Julianne O’Brien Pedersen has a background in the field of dance as a performer, choreographer, academic leader, and dance educator. She holds a Bachelor of Arts from Connecticut College, a Master of Fine Arts from the Ohio State University, and is certified yoga instructor and Laban/Bartenieff Movement Analyst.

Prior to joining Chapman University, she served as the Dean of the School of Dance at Dean College in Massachusetts and as program director and professor at Eastern Michigan University. She teaches modern techniques, pedagogy, dance history, yoga, Bartenieff Fundamentals, Laban movement analysis, improvisation, and choreography.

Julianne performed as a founding member and soloist for fourteen years with the Peter Sparling Dance Company. While with Sparling, who was a member of both the Limon Company and the Graham Company, she had the opportunity to train deeply in two foundational modern techniques. She has also had the privilege of performing with William (Bill) Evans, and in repertory by Isadora Duncan set by Lori Bellilove. She has choreographed more than sixty works that have been seen in venues across the states and in El Salvador and received recognition for choreography including funding from the US Embassy in El Salvador, and selection for the American College Regional Dance Festival finale.

An interest in K–12 movement integration curriculum has spanned two decades: receiving several grants from the Michigan Association for the Education of Young Children to work with under-served middle schoolers; working with the Malashock Dance School on teaching residencies and math in motion curriculum; and spear- heading movement curriculum into MA public schools in partnership with college internship programs.

She has presented at numerous conferences, most recently including the Somatic Dance Conference (2022), The National Association for Schools of Dance (2023), The National Dance Education Conference (2023), and the Dance and the Child International Conference (2024).

Paige Borowski - Event Artistic Director

Paige Borowski received her BFA degree from The Juilliard School in 2018. There she studied under world renowned instructors and choreographers, including: Jiri Kylian, Crystal Pite, Aszure Barton, Ohad Naharin, Pam Tanowitz, and Bobbi Jene Smith. She continued on to dance in Switzerland for the Ballett Theater Basel where she performed and toured works by Bryan Arias, Johan Inger, Jiri Porkorny, Alexander Ekman, and Sharon Eyal.

In addition, Paige was on faculty for the Ballettschule Theater Basel, where she assisted in developing their Modern and youth programs. Paige has been on faculty at Orange County High School of the Arts and is now the founder and director of the first collegiate arts preparation agency and program, Collegiate Arts Prep. Paige currently continues to live and work in Orange County, CA.

Jennifer Lott -Faculty, USC Kaufman

Jennifer McQuiston Lott joined the USC Glorya Kaufman School of Dance as an Assistant Professor in 2016. She is the co-founder and co-Artistic Director of the Traverse City Dance Project, a seasonal company based in Traverse City, Mich. In 2018, she became the eighth teacher in the United States of Countertechnique, a revolutionary contemporary practice developed by Dutch choreographer Anouk Van Dijk.

Lott earned her BFA in Ballet Performance from Indiana University, and her MFA in Dance from the University of California, Irvine, where she was awarded a Graduate Fellowship and numerous scholarships. She is certified in GYROTONIC® and GYROKINESIS® and is an ABT® Certified Teacher in Primary through Level 3 of the ABT® National Training Curriculum. She has served on the faculty of Interlochen Summer Arts Camp and taught master classes and workshops nationally and internationally.

Gracie Whyte - Faculty, UCLA & LMU

Gracie Whyte is a contemporary movement designer whose work comprises choreography, performance, production, education, and entrepreneurship. Gracie received her professional training from London Contemporary Dance School, where she received a Masters degree in Contemporary Dance Performance. In 2014, Gracie relocated to Los Angeles, where she co-founded choreographic platform WHYTEBERG and educational platform Ground Grooves with her creative and business partner, Laura Berg. Through WHYTEBERG, Gracie has performed, choreographed, and produced for film, stage, music videos, and site-specific productions, working with prominent artists, producers, and platforms, such as Mac Miller (Grammy and MTV Video Music Award Nominee), Anderson .Paak (Grammy Award Winner), Edward Sharpe and the Magnetic Zeros (US Billboard top 10 musician), and TEDxUCLA. Gracie currently teaches at University of California Los Angeles (UCLA).

Liz Maxwell - Faculty, Chapman University Dance

Liz Maxwell, MFA, CLMA, RSME, is an associate professor of dance at Chapman University, specializing in teaching somatic disciplines, modern dance techniques, dance history, and choreography. She received her BFA in Dance from The Juilliard School of Music. There, she worked with such leading figures as Hanya Holm, Paul Taylor, Daniel Lewis, Kazuko Hirabayashi, Alfredo Corvino, Anna Sokolow, and Martha Hill. Upon graduation she continued her performance studies in New York with Dan Wagoner, Jocelyn Lorenz, Alfredo Corvino, Irene Hultman, Vicky Shick, Merce Cunningham, Mel Wong, and Maggie Black.

Liz went on to earn her MFA in Dance at the University of Washington’s unique “returning professional” program where she honed an interest in dance aesthetics and philosophy. While attending UW, she was a member of the Chamber Dance Ensemble, a company dedicated to the preservation and reconstruction of historically significant dance works, and there performed in seminal works. In addition, she is a Certified Laban/Bartenieff Movement Analyst (CLMA) through Integrated Movement Studies (IMS), and a Registered Somatic Movement Educator (RSME) through the International Somatic Movement Education and Therapy Association (ISMETA).

View Event →

Sep
6
to Sep 8

SEPTEMBER Workshop

Registration is OPEN!

*Additional faculty announcements coming soon + Faculty subject to change

FIONA LUMMIS EDDY

Ballet Faculty, University of Southern California / Ballet + Jirí Kylían Repertoire

Fiona Lummis was a principal dancer for two decades with the Netherlands Dance Theatre, and was involved in over thirty creations by Jiri Kylian, Hans Van Manen, Nacho Duato, Ohad Naharin, Christopher Bruce and Mats Ek among other choreographers, as well as dancing featured roles in ballets by William Forsythe, Jerome Robbins, Lar Lubovitch and Glen Tetley and many more. Ms. Lummis is a graduate of the Elmhurst School of Dance in Birmingham, England and the Rambert School of Ballet and Contemporary Dance in London.

PATRICK (DAMON) RAGO

Modern Faculty, Loyola Marymount University / Modern

Patrick Damon Rago is a Professor of Theatre Arts & Dance at Loyola Marymount University. Damon began his formal dance training at California State University, Fullerton in 1988. Upon graduation, he accepted a full scholarship to the University of Utah to pursue an MFA in Modern Dance. While there, Damon was the 1996 winner of the Dee R. Winterton Award for Outstanding Gradate Student and walked straight from graduation to the dance studio and began a two-year stretch with the Ririe-Woodbury Dance Company.

In 2002, Damon formed Palindrome Performance Group to begin to develop his own choreographic voice using physicality, humor, emotion, and theatre to tell human stories through dance.

He is a three time Lester Horton Award winner for Outstanding Achievement in Performance, in 2002 for Joe Goode’s Native Son, in 2003 for Loretta Livingston’s Leaving Evidence, and in 2007 for his own Manifold. He was also a winner in 2003 for Outstanding Achievement in Choreography for Four Inches to the Left. His choreography has been presented at the Dumbo Dance Festival in Brooklyn, New York, Dance Spectrum LA, the Sola Dance Festival, Highways Performance Space, Loyola Marymount University, California State University, Fullerton, Cal Poly Pomona, Orange Coast College, Citrus College, Scottsdale Community College.

JILLIAN MEYERS

Adjunct dance faculty, PACE University / Concert + Commercial Concepts

Jillian Meyers grew up dancing in Portland, Oregon. There she trained in all styles of dance with teachers Erin Lee, Michelle Mckinney, Candalee Wrede, Diana Redding, and Sarah Riggles. In 2004 she moved to Los Angeles to pursue her aspiration of becoming a professional dancer. During her time there she has become a member of Mark Meismer's company, Evolution. She has also been an assistant to Brian Friedman, Tovaris Wilson, Mia Michaels, Wade Robson, Gil Duldulao, and Mandy Moore on the hit show, So You Think You Can Dance.

Since 2006 Jillian has been fortunate to be a lead dancer for performing artist Janet Jackson. Over the past two years she has been involved with Janet's videos, over-sea performances and a variety of television appearances. She recently finished Janet's, Rock Withchu Tour. She has had the privilege to perform alongside Wade Robson in his performance for the show, Dancing With the Stars. Also recently on, Dancing With the Stars, she performed with recording artist John Legend.

Ultimately, Jillian loves to dance and is excited by any experience related to her passion!

JENNIFER LOTT

Dance Faculty, University of Southern California / Countertechnique

Jennifer McQuiston Lott joined the USC Glorya Kaufman School of Dance as an Assistant Professor in 2016. She is the co-founder and co-Artistic Director of the Traverse City Dance Project, a seasonal company based in Traverse City, Mich. In 2018, she became the eighth teacher in the United States of Countertechnique, a revolutionary contemporary practice developed by Dutch choreographer Anouk Van Dijk.

Lott has danced with Gibney Dance Company, Groundworks Dancetheater, Armitage Gone! Dance, Inlet Dance Theatre, Collective Body Dance Lab, Eglevsky Ballet and others. Her choreographic works and short dance films have been performed across the US and internationally. She has choreographed and directed work for numerous festivals and institutions, and for music artists Son Lux and My Brightest Diamond. She assisted choreographer Jodie Gates with the creation of new works for Tulsa Ballet and Kansas City Ballet, and has staged Gates’ ballets at Sacramento Ballet and Princeton University.

As a choreographer, Lott’s many musical collaborators include composer Ryan Lott, Andrew Norman, Jonny Rodgers, Darren Solomon and the chamber ensembles yMusic, Clocks in Motion and Tenth Intervention. She was a featured performer in the official Son Lux videos Undone (dir. David Terry Fine) and You Don’t Know Me (dir. Nathan Johnson/The Made Shop). Her passion for collaboration has led her to devise and direct to two unique USC Visions and Voices events alongside colleagues from the USC Kaufman and USC Thornton Schools: Caught in the Chamber (Spring 2018) and Activated Chambers (Fall 2019). With the onset of the global pandemic in 2020, she developed and curated the Traverse City Dance Project’s No-Distance Festival, a five-month series of virtual collaborations and online events involving and raising funds to support an international array of over 35 music, video and dance artists. She currently directs the Traverse City Dance Project’s NewVo Fellowship, which supports the creation of new works by emerging professional choreographers and composers.

Lott earned her BFA in Ballet Performance from Indiana University, and her MFA in Dance from the University of California, Irvine, where she was awarded a Graduate Fellowship and numerous scholarships. She is certified in GYROTONIC® and GYROKINESIS® and is an ABT® Certified Teacher in Primary through Level 3 of the ABT® National Training Curriculum. She has served on the faculty of Interlochen Summer Arts Camp and taught master classes and workshops nationally and internationally.

BRUCE MCCORMICK

Ballet Faculty, University of Southern California / Ballet + USC Kaufman Repertoire

Bruce McCormick is an educator, choreographer, performer and scholar. He earned his BFA from The Juilliard School under the direction of Benjamin Harkarvy and his MFA from the University of Washington, where he also worked as Assistant Professor of Dance. He joined the faculty at the University of Southern California Glorya Kaufman School of Dance in 2018 where he serves as Associate Professor of Practice.

He performed in 12 countries on four continents as a member of Les Grands Ballets Canadiens, the Bavarian State Ballet and the Bern Ballet, where he was a soloist and ballet master. He also served as Assistant Artistic Director of North Netherlands Dance and Guest Rehearsal Director with Ballet BC.

Throughout his career, he danced works by many choreographers including George Balanchine, Stijn Celis, John Cranko, Nacho Duato, Mats Ek, William Forsythe, Jacopo Godani, Jiří Kylián, José Limón, Susan Marshall, Cathy Marston, Ohad Naharin, Marius Petipa, Crystal Pite, Twyla Tharp, Anthony Tudor and Doug Varone. In addition, he assisted choreographers Karole Armitage, Roy Assaf, Stijn Celis, Itzik Galili, Emanuel Gat, Emily Molnar, Andrea Miller, Matthew Neenan, Stephen Shropshire and Medhi Walerski, among others.

McCormick has presented his own choreographic work in various venues throughout the Americas, Europe and Asia, and has taught master classes for several companies including BalletX, Gibney Company, Malpaso Dance Company, National Dance Company of Wales, Matthew Bourne’s New Adventures and Whim W’Him. He choreographed the opera Eugene Onegin for the Stadttheater Bern, as well as The Merry Widow and William Tell for the Korea National Opera. His most recent festival credits include Against the Grain/Men in Dance, Dance Deck, the Seattle International Dance Festival, the International Festival of Contemporary Dance of Mexico City and the ITS Festival in Amsterdam. He has presented for the National Dance Education Organization and CORPS de Ballet International, and his scholarship has been published by The International Journal of Arts Theory and History.

BRET EASTERLING

Dance Faculty, University of Southern California / GaGa + Repertoire
Bret Easterling has been surrounded by dance ever since he was born in Palo Alto, CA.  After growing up in his mother’s dance studio, his career began at the age of seven, dancing in commercial work including a duet with Angela Lansbury in Mrs. Santa Claus, and in Fiona Apple’s music video for Paper Bag.  At the age of 11, he was a founding member of Teen Dance Company of the Bay Area, an original cast member of New York Stage Original’s Tap Kids, and an annual performer in the Radio City Christmas Spectacular.

After high school, Bret moved to New York City to study at The Juilliard School, where he received his BFA and the Hector Zaraspe Prize for Choreography in 2010.  While in school, he was a formative member of Andrea Miller’s Gallim Dance, and a guest performer with Buglisi Dance Theatre.

Upon graduation, Bret was invited by Ohad Naharin to join the Ensemble Batsheva in Tel Aviv, Israel.  He was ultimately promoted to the acclaimed Batsheva Dance Company, which gave him the opportunity to tour internationally, and participate in creative processes with Naharin, Sharon Eyal, and Roy Assaf.

In 2011, Bret began teaching Gaga, and has since had the privilege of sharing this movement language to dancers and people in France, Italy, Germany, Spain, Sweden, Norway, Japan, Singapore, Russia, Australia, Canada, and the US.

Bret has always had a strong passion for choreography, and has received numerous honors for his works.  He is also a certified Ilan Lev Method practitioner, a rehearsal director for Gallim Dance, and the Artistic Director of BEMOVING.

AMI SHULMAN

Guest Modern Faculty, USC Kaufman and The Juilliard School / Floorwork Fundamentals

Ami Shulman is a Rehearsal Director at the GöteborgsOperans Danskompani. She has choreographed for the National Theatre of London; the Shakespeare Theatre Company; Mouvement Perpetuel and has co-created works with the Cirque Du Soleil; the National Ballet of Canada and Ballet BC. Ami performed with Compagnie Marie Chouinard, Compagnie Flak and the DanceOn Ensemble, Berlin and has taught throughout Europe, Canada and the USA including for the Juilliard School; Jacob’s Pillow; BANFF Centre for the Arts; CODARTS; Tanzfabriek; Staatstheatre Kassel; B12 and is an Artistic Associate of the Springboard Project Montreal/New York. Ami co-authored for the anthology Back to the Dance Itself and has written articles on enactive cognition in the pedagogy of embodied mathematics. She is a certified Feldenkrais® Practitioner.

BONNIE ODA HOMSEY

Admissions Faculty and Board Member, USC Kaufman / PARENT and DANCER College Dance Seimar

Bonnie Oda Homsey is founding director of Los Angeles Dance Foundation providing career consultancy services to artists and organizations. She serves on the board and co-chairs the Program Committee for Gold Standard ArtsFoundation, a national resource for AAPI creatives. For 20 years, Bonnie was Chair of Dance for The Princess Grace Foundation USA and has served on funding panels including National Endowment for the Arts, New England Foundation for the Arts, United States Artists, and California Arts Council.

She has been an Adjunct Assistant Professor at USC Kaufman School of Dance, and Special Faculty at California Institute for the Arts. A member of the Martha Graham Company, directed by Ms. Graham, she toured internationally and performed works with Rudolph Nureyev and Dame Margot Fonteyn. She is an alum of The Juilliard School and established a named endowed scholarship for their AAPI dancers, and a dance scholarship at Mid-Pacific Institute in Honolulu, Hawaii. Bonnie received a M.F.A. in Dance as the Chancellor’s Fellowshiprecipient from UC, Irvine, and is the recipient of two Lester Horton Awards.

PAIGE BOROWSKI

Collegiate Arts Prep, Founder and Director + Event Artistic Director / Ballet

Paige Borowski received her BFA degree from The Juilliard School in 2018. There she studied under world renowned instructors and choreographers, including: Jiri Kylian, Crystal Pite, Aszure Barton, Ohad Naharin, Pam Tanowitz, and Bobbi Jene Smith. She continued on to dance in Switzerland for the Ballett Theater Basel where she performed and toured works by Bryan Arias, Johan Inger, Jiri Porkorny, Alexander Ekman, and Sharon Eyal.

In addition, Paige was on faculty for the Ballettschule Theater Basel, where she assisted in developing their Modern and youth programs. Paige is on faculty at Orange County High School of the Arts and is now the founder and director of the first collegiate arts preparation agency and program, Collegiate Arts Prep. Paige currently continues to live and work in Orange County, CA.

FINAL 2024 WORKSHOP EVENT!

Don’t miss your chance to dance with us….see you there!

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JUNE Workshop
Jun
14
to Jun 16

JUNE Workshop

Registration is NOW OPEN!

JUNE FACULTY:

Learn more about our incredible faculty below!

ROSALYNDE LEBLANC LOO

Dean and Director of Dance, Loyola Marymount University 

Choreography Composition / Q+A

Rosalynde LeBlanc Loo has spent over twenty-years in dance as a performer and choreographer. She holds a BFA from the State University of New York at Purchase and an MFA from Hollins University. She is a professor and current Chair of the Dance Program at Loyola Marymount University. Prior to her academic career, Rosalynde was a member of the Bill T. Jones/Arnie Zane Company (1993-1999), Mikhail Baryshnikov’s White Oak Dance Project (1999-2002), and the Liz Gerring Dance Company (2003-2006). In addition to performing the work of various independent choreographers, Rosalynde has also danced in opera productions with New York’s Metropolitan Opera and the 250th Mozart Celebration in Salzburg, Austria. She has had her writing published in the leading international dance periodicals, Dance Magazine and Ballettanz, and her choreography has been presented in venues around the country.

EMILY WANSERSKI

Creative Financial Advisor and Career Coach, LMU, University of Michigan, UCLA

Introduction to Finance for Young Artists

Emily Wanserski has worked with cultural nonprofits, for-profit entertainment entities, higher education institutions, and multiple public agencies. With 10+ years of experience in LA's creative economy, she collaborates with entrepreneurs and artists to bring light to immediate action items that get them closer to their vision. Selected clients, projects, and employers include: the Annenberg Foundation, Arts Bridging the Gap, Barak Ballet, Banjee Ball/Purple Crush, BODYTRAFFIC, Boeing, Chicago Bulls, City of Los Angeles Department of Cultural Affairs, City of West Hollywood, Ground Grooves TV, Intel, Invertigo Dance Theatre, Jim Henson Company, LA Contemporary Dance Company, LA Follies, MashUp Contemporary Dance Company, Marissa Labog, Melanie George, MUDA, Nike, Royal Shakespeare Company, Suarez Dance Theater, Sundance Film Festival, Teresa Toogie Barcelo, University of Southern California, UP Productionz, and WHYTEBERG. 

Emily has taught at AMDA, CalState LA, LMU, Santa Monica College, UCLA, and the University of Michigan, and she was honored to be part of the Artist Campaign School's inaugural cohort in 2017. Emily holds dual degrees, BA in Political Science & BFA in Dance, from the University of Michigan, Ann Arbor. 

REBECCA LEMME

Modern Faculty, Cal StateUniversity Long Beach

Floorwork / Improvisation

Rebecca Lemme is a choreographer, performer, and educator. An Assistant Professor of Dance at California State University, Long Beach, she teaches in both the modern and ballet programs, as well as mentors students in their own choreographic work. She  is the Co-coordinator of the BFA program, the Scholarship Chair, and works closely with both the MFA and MA programs. Founded in 2014, she is also Artistic Director of the performance group Acts of Matter.

Lemme holds an MFA from California Institute of the Arts in Choreography and a BA from Princeton University in English and Theater. She was the recipient of the Francis LeMoyne Page Theater Award for distinctive achievement in theater at Princeton as well as the Caroline H. Newhouse and Sono Osato Scholarships, both for graduate study.

RACHEL FINE

Registered Dietitian, Founder of To The Pointe Nutrition, and Creator of The Dance Nutritionist 

Diet and Nutrition for Dancers

Rachel Fine is a board-certified Registered Dietitian Nutritionist with advanced certifications in Eating Disorders (CEDS-C), Sports Nutrition (CSSD), and Intuitive Eating. Rachel founded To The Pointe Nutrition in 2013, and built The Healthy Dancer® curriculum with the mission to provide credible nutrition education to all dancers, including dance parents and dance educators worldwide.

The Healthy Dancer® combines Rachel’s expertise in performance nutrition with a non-diet and weight-inclusive approach to food and body image. Rachel specializes in nutrition for dancers, with a focus on eating disorders, disordered eating, orthorexia, and perfectionism.

MARISA HENTIS

Dance Faculty, University of Southern California

Sports Medicine and Injury Prevention for Dancers

Dr. Marisa Hentis, PT, DPT, OCS, CSCS, is an assistant professor of physical therapy and dance. She sees patients clinically at USC Physical Therapy. She is board-certified by the American Board of Physical Therapy Specialities as a Orthopaedic Clinical Specialist (OCS) and a Certified Strength and Conditioning Specialist (CSCS). She is the Screening Chair for the American Physical Therapy Association (APTA) Performing Arts Special Interest Group (PASIG). She specializes in the treatment of variety of orthopedic diagnoses including performing artists, dancers, runners, other sports related injuries, and pelvic floor dysfunctions. She works as a physical therapist backstage for performances at various theaters in Los Angeles, CA in her spare time. Dr. Hentis also has presented at local, national, and international conference about dance medicine with an emphasis in university level dancers.

Dr. Hentis received her Bachelor’s of Science in Exercise Science, a minor in Psychology, and concentration in Interprofessional education at Saint Louis University in Saint Louis, Missouri. She received Doctorate of Physical Therapy at Saint Louis University as well. She graduated from the Clinical Residency in Orthopaedic Physical Therapy through MGH Institute of Health Professions.

Prior to becoming a physical therapist, Marisa danced professionally in the Midwest for over 5 years. She is trained in majority of genres but specializes in hip hop and contemporary. She enjoys continuing to take classes recreationally and getting involved with the community to prevent and assist performing artists throughout their recreational and professional careers.

BRUCE MCCORMICK

Ballet, Career Services, and Admission Professor, University of Southern California Kaufman

Ballet / USC Kaufman Repetoire

Bruce McCormick is an educator, choreographer, performer and scholar. He earned his BFA from The Juilliard School under the direction of Benjamin Harkarvy and his MFA from the University of Washington, where he also worked as Assistant Professor of Dance. He joined the faculty at the University of Southern California Glorya Kaufman School of Dance in 2018 where he serves as Associate Professor of Practice.

Originally from New Jersey, he trained with the Vineland Regional Dance Company and the Rock School of Pennsylvania Ballet, spending summers at the School of American Ballet, Central Pennsylvania Youth Ballet, Boston Ballet and as a private student of Maestro Héctor Zaraspe in Argentina and Ecuador. He performed in 12 countries on four continents as a member of Les Grands Ballets Canadiens, the Bavarian State Ballet and the Bern Ballet, where he was a soloist and ballet master. He also served as Assistant Artistic Director of North Netherlands Dance and Guest Rehearsal Director with Ballet BC.

BETSY STRUXNESS

Musical Theatre Faculty, University of Southern California Kaufman

Musical Theatre Repetoire / Q + A

Betsy STRUXNESS is an interdisciplinary artist, entertainer and educator.  Raised in the professional arts communities of Kansas City (KC Ballet, Lyric Opera, Starlight Theater) and with a BFA in Dance from The Juilliard School, STRUXNESS forged a career on Broadway, appearing in Wicked, Memphis and originating hit shows like Matilda and most notably, Hamilton.  STRUXNESS’s talents extend well beyond dance and stage with her continued work on screens small and large, as actor, voice actor, creative leader or performer. Her debut pop album, Physical Attention, which she co-wrote, is available on all music platforms. A New Yorker at heart, STRUXNESS currently lives in Los Angeles and is a lecturer at USC Glorya Kaufman School of Dance. Follow along on all of her adventures!  @be_strux

CHARLOTTE GRIFFIN

Modern Faculty, UC Irvine

Modern - with live drums accompaniment

As a young dancer, Charlotte received her BFA in Dance from The Juilliard School under the direction of Mr. Benjamin Harkarvy and performed the masterworks of artists such as Paul Taylor, Agnes de Mille, and José Limón. Upon graduation, she was honored with The Martha Hill Award for excellence in her field of study and went on to collaborate and perform with choreographers including David Neumann, Yasmeen Godder, Sue Bernhard, Toshiko Oiwa, Karen Graham, Robert Battle, and Larry Keigwin. She received her MFA in Dance from The University of Texas at Austin, taught at Marymount Manhattan College and Bowdoin College, and has offered master classes in Mexico, Spain, the Czech Republic, and South Korea. Originally from North Carolina, Charlotte is delighted to join the sunny ranks of the University of California, Irvine Dance Department.

Charlotte Griffin creates dynamic work for the concert stage, cinematic screen, and multimedia environments. Her repertory has been commissioned by The Juilliard Dance Ensemble, The Hartt School Dance Division, BJM Danse in Montreal, Danza UDLAP, Barcelona Institut del Teatre, The Juilliard Summer Intensive, Peridance Professional Trainees, Princeton University, Rutgers University, and more. She has had the privilege of creating ballets at The New York Choreographic Institute with dancers from the New York City Ballet and School of American Ballet, at the American Ballet Theatre Summer Intensive in Austin, and for Eliot Feld's Ballet Tech Kids Dance. Current projects include choreographing Monk Parrots’ original production ofBum Phillips All-American Opera, which premiered at La MaMa’s Ellen Stewart Theater in New York, and contributions to The Nexus Project produced by The Cambrians for premiere in 2017.

PAIGE BOROWSKI

Collegiate Arts Prep, Founder and Director 

Event Artistic Director / Ballet / Networking 

Paige Borowski received her BFA degree from The Juilliard School in 2018. There she studied under world renowned instructors and choreographers, including: Jiri Kylian, Crystal Pite, Aszure Barton, Ohad Naharin, Pam Tanowitz, and Bobbi Jene Smith. She continued on to dance in Switzerland for the Ballett Theater Basel where she performed and toured works by Bryan Arias, Johan Inger, Jiri Porkorny, Alexander Ekman, and Sharon Eyal. In addition, Paige was on faculty for the Ballettschule Theater Basel, where she assisted in developing their Modern and youth programs. Paige is on faculty at Orange County High School of the Arts and is now the founder and director of a collegiate arts preparation program, Collegiate Arts Prep, and currently continues to live and work in Orange County, CA.

Faculty Subject to Change

Location and additional details coming soon!

View Event →
APRIL Workshop
Apr
5
to Apr 7

APRIL Workshop

Registration is OPEN NOW!

Please use the link above to complete the registration form and secure your spot to dance with us this Spring. To ensure intimacy and an individualized training experience for our workshop participants spots will be limited.

Day Passes for April Workshop are now available! Join us for 1 or 2 days of our weekend workshop. It is required that dancers participate in the workshop day(s) in their entirety.

We can’t wait to dance with you! Xxx

APRIL FACULTY:

Learn more about our incredible April Workshop Faculty below!

JULIANNE PEDERSEN

Dean and Director of Dance, Chapman University 

Modern Foundations / Q+A

Julianne O’Brien has a background in the field of dance as a performer, choreographer, academic leader, and dance educator. She holds a Bachelor of Arts from Connecticut College, a Master of Fine Arts from the Ohio State University, and is certified yoga instructor and Laban/Bartenieff Movement Analyst.

Prior to joining Chapman University, she served as the Dean of the School of Dance at Dean College in Massachusetts and as program director and professor at Eastern Michigan University. She teaches modern techniques, pedagogy, dance history, career seminars, yoga, Bartenieff Fundamentals, Laban movement analysis, improvisation, and choreography.

Julianne performed as a founding member and soloist for fourteen years with the Peter Sparling Dance Company. While with Sparling, who was a member of both the Limon Company and the Graham Company, she had the opportunity to train deeply in two foundational modern techniques. She has also had the privilege of performing with William (Bill) Evans, and in repertory by Isadora Duncan set by Lori Bellilove. She has choreographed more than fifty works that have been seen in venues across the states and in El Salvador and received numerous grants and awards for choreography including funding from the US Embassy in El Salvador, and selection for the 2016 American College Regional Dance Festival.

An interest in K–12 movement integration curriculum has spanned two decades: receiving multiple grants from the Michigan Association for the Education of Young Children to work with under-served K–3 students in science and history classes; developing math in motion curriculum with the Malashock Dance School in San Diego, CA; multiple year teaching residencies with Malashock and Freese elementary school; and spear-heading movement curriculum into the Franklin, MA public schools in partnership with college internship programs.

BRET EASTERLING

Modern Faculty, University of Southern California

GAGA

Bret Easterling has been surrounded by dance ever since he was born in Palo Alto, CA.  After growing up in his mother’s dance studio, his career began at the age of seven, dancing in commercial work including a duet with Angela Lansbury in Mrs. Santa Claus, and in Fiona Apple’s music video for Paper Bag.  At the age of 11, he was a founding member of Teen Dance Company of the Bay Area, an original cast member of New York Stage Original’s Tap Kids, and an annual performer in the Radio City Christmas Spectacular.

After high school, Bret moved to New York City to study at The Juilliard School, where he received his BFA and the Hector Zaraspe Prize for Choreography in 2010.  While in school, he was a formative member of Andrea Miller’s Gallim Dance, and a guest performer with Buglisi Dance Theatre.Bret  received his BFA and the Hector Zaraspe Prize for Choreography from The Juilliard School and was a formative member for Gallim Dance.  After graduating, Bret joined Batsheva Dance Company under the direction of Ohad Naharin. 

During his time in Tel Aviv, he became a certified Gaga teacher and an Ilan Lev Method practitioner.  Bret currently teaches at USC’s Glorya Kaufman School of Dance and is the Artistic Director of BEMOVING, an LGBTQ+ led nonprofit that builds nurturing communal environments for the research, development, and dissemination of dance works and movement practices.

LIZ MAXWELL

Modern Faculty, Chapman University 

Somatic Disciplines / Creative Processes 

Liz Maxwell, MFA, CLMA, RSME, is an associate professor of dance at Chapman University, specializing in teaching somatic disciplines, modern dance techniques, dance history, and choreography. She received her BFA in Dance from The Juilliard School. 

Liz went on to earn her MFA in Dance at the University of Washington’s unique “returning professional” program where she honed an interest in dance aesthetics and philosophy. While attending UW, she was a member of the Chamber Dance Ensemble, a company dedicated to the preservation and reconstruction of historically significant dance works, and there performed in seminal works by Isadora Duncan, Danny Buraczeski, Louis Falco, Doris Humphrey, Laura Dean, and Zvi Gotheiner. Liz has taught in many dance programs such as The California Institute of the Arts, Loyola Marymount University, CalPoly-Pomona, Rio Hondo College, UC Riverside, California State University—Long Beach, Scripps College, and Pomona College.

In addition, she is a Certified Laban/Bartenieff Movement Analyst (CLMA) through Integrated Movement Studies (IMS), and a Registered Somatic Movement Educator (RSME) through the International Somatic Movement Education and Therapy Association (ISMETA). Current research projects include papers, workshops, and performances presented at The Congress on Research in Dance, The Society of Dance History Scholars, Motus Humanus, American College Dance Festival Association (ACDFA), National Dance Education Organization (NDEO), and she chaired a recent panel for NDEO and ISMETA's special topic on somatics which she titled "If They Build it...Will They Come? How to Integrate Somatic Education into Post-Secondary Dance Curriculum."

DOUG BAUM

Ballet and Modern Faculty, University of Southern California

Contemporary / Modern

Doug Baum began his dance training in Maryland at Mid-Atlantic Center for the Performing Arts before graduating from the Baltimore School for the Arts in 2006. In 2010, Doug received his B.F.A. from Fordham University in collaboration with The Ailey School, where he apprenticed with Ailey II. Since graduating, he has performed with Rock the Ballet, Compagnie Flak, Les Ballets Jazz and Complexions Contemporary Ballet. Doug has completed three seasons with Zhukov Dance Theater in addition to guesting with Peridance, Ezdanza, Thang Dao, and Company XIV. Most recently Doug finished his last tour with LA Dance Project under the direction of Benjamin Millepied & is now an adjunct instructor at USC Glorya Kaufman School of Dance. 

BONNIE ODA-HOMSEY

Former Adjudicate Professor and Faculty, University of Southern California

Career Development for Young Artists / "Your New Role" Parent Seminar 

Bonnie Oda Homsey is founding director of Los Angeles Dance Foundation providing career consultancy services to artists and organizations. She serves on the board and co-chairs the Program Committee for Gold Standard ArtsFoundation, a national resource for AAPI creatives. For 20 years, Bonnie was Chair of Dance for The Princess Grace Foundation USA and has served on funding panels including National Endowment for the Arts, New England Foundation for the Arts, United States Artists, and California Arts Council.

She has been an Adjunct Assistant Professor at USC Kaufman School of Dance, and Special Faculty at California Institute for the ArtsA member of the Martha Graham Company, directed by Ms. Graham, she toured internationally and performed works with Rudolph Nureyev and Dame Margot Fonteyn.  She is an alum of The Juilliard School and established a named endowed scholarship for their AAPI dancers, and a dance scholarship at Mid-Pacific Institute in Honolulu, Hawaii. Bonnie received a M.F.A. in Dance as the Chancellor’s Fellowshiprecipient from UC, Irvine, and is the recipient of two Lester Horton Awards.

FIONA EDDY

Ballet and Modern Faculty, University of Southern California

Contemporary Ballet / Jiri Kylian (NDT) Repertoire

Fiona Lummis-Eddy was a principal dancer for two decades with the Netherlands Dance Theatre, and was involved in over thirty creations by Jiri Kylian, Hans Van Manen, Nacho Duato, Ohad Naharin, Christopher Bruce and Mats Ek among other choreographers, as well as dancing featured roles in ballets by William Forsythe, Jerome Robbins, Lar Lubovitch and Glen Tetley and many more. Ms. Lummis is a graduate of the Elmhurst School of Dance in Birmingham, England and the Rambert School of Ballet and Contemporary Dance in London. Fiona now is on faculty of Los Angeles High School of the Arts as well as University of Southern California giving ballet lectures and staging Repertoire.

EMILY WANSERSKI

Creative Financial Advisor and Career Coach, LMU, University of Michigan, UCLA

Introduction to Finance for Young Artists

Emily Wanserski has worked with cultural nonprofits, for-profit entertainment entities, higher education institutions, and multiple public agencies. With 10+ years of experience in LA's creative economy, she collaborates with entrepreneurs and artists to bring light to immediate action items that get them closer to their vision. Selected clients, projects, and employers include: the Annenberg Foundation, Arts Bridging the Gap, Barak Ballet, Banjee Ball/Purple Crush, BODYTRAFFIC, Boeing, Chicago Bulls, City of Los Angeles Department of Cultural Affairs, City of West Hollywood, Ground Grooves TV, Intel, Invertigo Dance Theatre, Jim Henson Company, LA Contemporary Dance Company, LA Follies, MashUp Contemporary Dance Company, Marissa Labog, Melanie George, MUDA, Nike, Royal Shakespeare Company, Suarez Dance Theater, Sundance Film Festival, Teresa Toogie Barcelo, University of Southern California, UP Productionz, and WHYTEBERG. 

Emily has taught at AMDA, CalState LA, LMU, Santa Monica College, UCLA, and the University of Michigan, and she was honored to be part of the Artist Campaign School's inaugural cohort in 2017. Emily holds dual degrees, BA in Political Science & BFA in Dance, from the University of Michigan, Ann Arbor. 

PAIGE BOROWSKI

Collegiate Arts Prep, Founder and Director 

Event Artistic Director / Ballet / Networking 

Paige Borowski received her BFA degree from The Juilliard School in 2018. There she studied under world renowned instructors and choreographers, including: Jiri Kylian, Crystal Pite, Aszure Barton, Ohad Naharin, Pam Tanowitz, and Bobbi Jene Smith. She continued on to dance in Switzerland for the Ballett Theater Basel where she performed and toured works by Bryan Arias, Johan Inger, Jiri Porkorny, Alexander Ekman, and Sharon Eyal. In addition, Paige was on faculty for the Ballettschule Theater Basel, where she assisted in developing their Modern and youth programs. Paige is on faculty at Orange County High School of the Arts and is now the founder and director of a collegiate arts preparation program, Collegiate Arts Prep, and currently continues to live and work in Orange County, CA.

*Faculty Subject to Change

Location and additional details coming soon!

View Event →

Participants:

Collegiate Arts Prep workshops are created especially for advanced dancers ages 14 - 18.

There is a limited number of 30 spots available for each workshop event. These spots will be claimed on a first come first serve basis. Be sure to mark your calendars for registration dates!


Daily Schedule:

Our our Spring and Summer events will run from 3:00 - 8:30pm on Friday to accommodate for school being in session and 9:00 - 5:00pm on Saturday and Sunday.

Details on daily schedules for each event will only be released to registered workshop participants two weeks prior to event start date.

Dancers are expected to participate in all three days of our event and are required to participate in workshop days in their entirety. Partial day participation is not permitted. Dancers who do not abide by our attendance policy are subject to additional fees.


Tuition and Policies:

The cost of each Collegiate Arts Prep 2024 workshop event is $990.

There is a $50 fee upon registration. This is a one-time (non-refundable) fee that holds your spot for participation in our workshop. This fee does not go towards your tuition payment.

Tuition can be made in two equal payments or one full payment. A payment of 50% tuition (non-refundable) will be due no later than 5 weeks prior to event start date. The tuition remainder will be due no later than 2 weeks prior to event start date. Individual payment plans are available upon request, privately to Collegiate Arts Prep.

No full refunds or credits will be issued for registered participants. Exceptions will be made for dancers that can no longer participate due to an unforeseen injury or illness. Given medical documentation, 75% of tuition will be refunded up to 2 weeks prior to the start of the program. If the illness or injury is disclosed to Collegiate Arts Prep under two weeks prior to event start date, a 50% refund will be issued.

Let’s Connect and Let’s Dance….

SEE YOU THERE!


2024 Workshops Success!

WOW! What an incredible kick off in April, continuation in June, and cumulation to our 2024 Workshops in September !

We couldn't be more grateful for three smooth and successful weekends! In April, dancers spent three days in the studio with Doug Baum, Fiona Lummis-Eddy, Julianne Pedersen O'Brien, Bret Easterling and Paige Borowski. In June, dancers spent three days studying with Bruce McCormick, Charlotte Griffin, Rebecca Lemme, Rosalynde LeBlanc Loo, Marisa Hentis, Betsy Struxness, and Paige Borowski. In September, we went out with a bang learning from Damon Rago, Bruce McCormick, Ami Shulman, Bret Easterling, Jillian Meyers, Bonnie Oda-Homsey, Fiona Eddy, Jennifer Lott, and Collegiate Arts Prep Events Artistic Director, Paige Borowski.

Dancers dove deep into what it means to have a collegiate dance career and beyond. We elevated our technical skills with rigorous ballet and modern classes while simultaneously developing our own unique artistic voices through Jiri Kylian Repertoire, Gaga movement language, USC Kaufman Repertoire, Broadway Musical Hamilton Repertoire and even created our own Repertoire. We filled in the gaps with cultivating insightful conversations with each of our faculty members to create lasting connections and impressions for the future. Dancers left all three of our weekends feeling fulfilled and inspired to run fearless into their futures with a balanced understanding of their own technical and artistic skill sets.

The Individual attention and guidance that our intimate environment provides is something celebrated by our dancers and faculty alike. To be able to provide a space for these special moments and connections to be made is a true dream come true for us. 

 Each of our faculty members have glorious comments about our dancers and are looking forward to seeing them at future CAP events or even future auditions for their University. We look forward to continuing to foster these priceless relationships and guide our students towards their wildest dreams!

A deep and heartfelt thank you to each and every one of you for your support of this project.

✨ SEE YOU IN 2025 ✨